I'm Lucie, a 21 year old media arts student from Sydney!
I have a love for craft, zine-making, writing, comics, illustration, film, animation, dark pop surrealism... and the spooky and bizarre.


Email: LUCTOW@BIGPOND.NET.AU

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Lucie Tea
“Baby Jenkins and the Numbat” (2012)

“Baby Jenkins and the Numbat” (2012)

Deergirl for Hikari It’s been raining a lot in Sydney lately.

Deergirl for Hikari

It’s been raining a lot in Sydney lately.

Merry Christmas to all!

Merry Christmas to all!

“Space Cat and the Galaxy House”
WIP (paper doll and papercraft house, inked with pen)

“Space Cat and the Galaxy House”

WIP (paper doll and papercraft house, inked with pen)

The Social Butterfly Net (from my sketchbook’n)

The Social Butterfly Net (from my sketchbook’n)

The Mechanical Maiden of Abdolas Parr opens her eyes.

Cleaned up animation for my Uni Animation project last semester. Super super simple eye opening - yet so much fun to learn! It’s so rewarding seeing characters move, even in the most slight and subtle of ways.

Hand-drawn limited animation test for my animation project last semester.

  The Mechanical Maiden of Abdolas Parr opens her eyes.

For a Uni animation concept that fell through. ‘Automaton Calder’ doodle in pencil.

For a Uni animation concept that fell through.
‘Automaton Calder’ doodle in pencil.

Wolves and claws and flashing teeth.

Wolves and claws and flashing teeth.

Sketchbook monster

Sketchbook monster

Triceratops card for Jurassic Lounge, part of the Dino Wars Collaboration of artists, who each worked to draw a card face for a potentially to-be-arriving-soon deck of cards for the Australian Museum (I hope I can get my hands on one!).
The images were projected inside the walls of the Australian museum in Sydney, in the shadows amongst the dead things and the skeletons and all the beady-eyed taxidermy beasties.

So many wonderful artists and so many wonderful projections. Many thanks and hat tips to the folks at Dino Wars!

Triceratops card for Jurassic Lounge, part of the Dino Wars Collaboration of artists, who each worked to draw a card face for a potentially to-be-arriving-soon deck of cards for the Australian Museum (I hope I can get my hands on one!).

The images were projected inside the walls of the Australian museum in Sydney, in the shadows amongst the dead things and the skeletons and all the beady-eyed taxidermy beasties.



So many wonderful artists and so many wonderful projections. Many thanks and hat tips to the folks at Dino Wars!

I’m getting excited thinking about working with animation - stop motion animation, in particular. There’s just something beautiful and eerie about moving, bit by bit, a tangible object - be it a lifeless puppet or a lump of clay - and breathing life into it through animation.
A painstaking process, no doubt.
But also a very wonderful one.
Our next University assignment is on animation, so I’ve been getting ahead of myself and playing around with clay already… ITS ITS ALIIIIVE! (… well, not yet.)

I’m getting excited thinking about working with animation - stop motion animation, in particular. There’s just something beautiful and eerie about moving, bit by bit, a tangible object - be it a lifeless puppet or a lump of clay - and breathing life into it through animation.

A painstaking process, no doubt.

But also a very wonderful one.

Our next University assignment is on animation, so I’ve been getting ahead of myself and playing around with clay already… ITS ITS ALIIIIVE! (… well, not yet.)